Captured #14: April 2025
Welcome to blossom season! šø
Nope, Iām not in Kyoto (one day!), just wandering the streets, parks and graveyards of Edinburgh. Towards the end of April each year (later than in Japan because weāre so far north), the city crawls out from six months of winter hibernation and blooms into life. It never fails to impress and this year weāve had some unusually excellent weather which has made it feel even more special.
I havenāt got out with the camera that much over the past few weeks (Iām stuck in a creativity trough right now) but a lot of the pictures Iāve taken are dominated with pink. How could you ignore it?
Here are some of my favourites š©·
The ethics of street photography
The more time I spend taking photos on the streets, the more Iāve become aware of others doing the same. It feels like street photography has become much more popular over the past couple of years. I appreciate this could be a form of frequency illusion but I donāt think itās just that ā there are more street-flavoured magazines, YouTubers and influencers out there these days, no doubt.
In many ways this is a good thing because there are more people pushing the boundaries of the street art form, but the downside is an increased awareness of people on the streets shoving their cameras in peopleās faces. Not so good.
This intrusiveness is increasingly on my mind. I used to only take pictures of distant, unrecognisable figures because (A) I liked that kind of style, and (B) I didnāt have to worry about confrontation. Recently Iāve been trying to get closer to subjects, mainly because it offers a new photographic challenge but I think it can also produce much more interesting photographs. To some extent Iāve also become a bit less bothered about the confrontation thing, which isnāt really a thing 99%+ of the time.
This change of approach has made my overthinking brain question the ethics of it all. Taking photos of people on the street is legal in the UK, but that doesnāt mean itās always appropriate. Itās legal to smoke on the street but blowing it in the face of someone sat at a bus stop would be considered aggressive and anti-social. Thereās a lot of nuance.
As street photographers we need to be increasingly mindful of this. The best up-close street photos are those that somehow capture emotion of the person, or people in the frame. Some will call this āstorytellingā. Photos of random people walking down the street or staring at a phone are often dull because they lack any hint of emotion. I know this because Iāve taken far too many of them. They can still work well as street photos because of composition or lighting, but theyāre objectively in a different league to those photos which manage to capture emotion. The irony is that in order to get better at capturing moving moments, youāre probably going to have to take a lot of shitty photos of people walking down the street or standing at the bus stop, but as long as your intentions are good, I donāt think thereās a problem.
Some people will say you should ask before taking their photo (I had one of these recently), but that kinda defeats the point of candidly capturing life on the streets ā the photograph becomes a portrait. Street portraits can be wonderful, but itās a different form of street (if itās street at all ā a separate debate). Thereās something magic in the candid when captured in the right way.
Some quite close-up photos of people Iāve taken recently
This style is still fairly new to me so I donāt think these photos are that great to be honest, but I do think Iāve sort of captured a bit of emotion here. The āphones eat firstā one is definitely my favourite.
Some photos I took this month in a different style
Are these less interesting? I donāt think so personally, but maybe. The first two are actually up there with my favourites this year, but itās all subjective isnāt it? Luckily I only shoot what I think looks good :)
Still pimping the Street Photo Social forum
Quite a few people have signed up to the FREE old-school, Street Photo Social forum recently and you can now browse the forum without signing up so you can read what people have been chatting about before creating your own account.
Itās a place for photographers (street-focused, but everyone welcome) to hang out, share work and chat about all things photography. There are a few forums around, but they are typically paywalled behind a subscription. This one is completely FREE and volunteer run.
https://forum.streetphoto.social
šŗššļø Found Online
Here are a few photography-related things Iāve come across this month that you may want to watch, read or try! šø If you come across anything interesting, feel free to share with me! Iād love to hear from you.
Billy Dinh on photographing daily life, travel, and why he photographs
This is an old Walkie Talkie but it's brilliant. Billy Dinh (@billydeee on Insta) is amazing. If I could steal the talents of another street photographer, it would 100% be Billy.
Loads of photographers use Dropbox for storing images in the cloud. I do too, but I'm considering moving to Jottacloud because it's "powered by 100% renewable energy, stored in Norway, and protected by European privacy laws."
I use Lightroom which is pretty good but it's not cheap and lots of people want to manage things locally not in the cloud. This new app isn't a photo editor ā it's "Photo Organization Redefined". I'm not entirely sure how it fits into a Lightroom/CaptureOne workflow, but it's good to see people innovating in this area.
The latest issue of this new(ish) street photography magazine is out now. Definitely worth a look if you need a bit of inspiration, or if you're looking for somewhere to try and get published. You can submit work here.
I really enjoy Adrian Vila's (AOWS) videos. It's not street, it's black and white landscapes, but I find watching his process really interesting, and I love the consistency of his work ā the power of simplicity! This video is his last from the Bay Area. I wonder where he'll end up next?
Listening Party š
Some music Iāve had on the digital decks this month.
At The Beach, In Every Life ā Gigi Perez
I came across the new album from Gigi Perez via Spotify and I've had it on repeat since. It's hypnotic. It flows so well as an album, the songs merging into each other with a folky Bon Iver vibe rather than a collection of individual stand out tracks. Stardom beckons.
Thank You Kirin Kiki ā Rindert Lammers
There's a chance my recent flirtation with jazz and ambient is a sign of age making me a complete square, but I'm fairly confident albums like this are not muzak. Rindert Lammers is only 31 and this debut album has a cinematic score vibe to it. I'm a big fan. A total Bandcamp instabuy.
Thatās it for April. See you next time š